I was pretty bored and listening to the new Born of Osiris so I thought I would just write what I think as I listen. I’m not really someone who reviews music (online or publicly but I’m pretty opinionated, generally), reads reviews, or even knows what to say. Although, I listen to a TON of music. I will just throw out my opinions as I go. I hope this is helpful for someone thinking about buying the album and hopefully I’ll get to do this more in the future. If you thought it wasn’t helpful, please comment and let me know how I can be more helpful in the future.
I would like to work out some type of rating system for the future. Rating something with stars seems pretty boring but until I think of something more clever (like sugar cubes?) I’ll roll with stars.

Image obtained from www.metalsucks.net
Eric’s rating: 2/5 stars. The songs are in italics and my attempted descriptions of them follow.
Rebirth (Intro)
The intro has a kind of mysterious and majestic quality to it. Sometimes it’s rather reminiscent to something Muse might do. However, it does have a kind of clown-like aspect to it. The transition does not flow into the next song very well.
Elimination
This song gets very brutal very quickly. They bring in some keys on various parts to give it that death metal feel. There are dashes of epic as we ride the rhythm with a nice lead floating on the surface.
The Accountable
Lots of blast beats and quick guitars until about 50 seconds in. The song gives a nice turn on the guitars and picks out some grooves. Late into the song the keys come in with that epic feel while the guitars ride out rather epicly.
Now Arise
First choppy/breakdown style guitars with a lot of the Architects groove-style licks. Most of the songs so far are a transition between epic slow parts with leads (of course, each having their own BOO touch to it – odd patterns), death metal with speed metal guitars and choir-type keys. The “breakdowns” don’t fly solo anymore. They are always met with keys. The keys are the same on every song so far. The song slows down near the end with just a single clean guitar playing, a choir type key (but only a single note, not chords anymore like death metal), a ghetto-ish beat and just screaming. It sounds kind of bad actually. Nu-metalish.
Live Like I’m Real
Groove guitars with minimal scale work intermingled. About 1:00 BOO switches to odd lead work with that clown feel sneaking back in. REALLY cool part at about 1:44-53. It’s short lived and slides right back into the epic work they’ve been doing with the flowing rhythm and lead over-top. All of the songs, aside from Now Arise at this point, have been very short. Just like the last album.
Starved
More groove guitars but mixing in the EPIC octaves. This song has the best feel to it thus far. The same octave-type overlay gets repeated a lot but it pulls together a lot of the changes they’re working in the rhythm. 1:53 we have solo keys with the drums coming. VERY cheesy sounding. However, when the guitars come in and take over with the same melody it’s almost majestic. I could see King Arthur battling to this. Remains under 2:50, unfortunately.
Exist
This song reminds me of classic BOO. We’ve got the choppy guitars and choppy lead type breakdowns. It sounds great. Ooh.. 1:18 gets so good. The rest of this song is a quite brutal breakdown. Great leads and rhythm picking back up with the epic choir keys again (still the same pad). If I said a song was awesome before… this one is better thus far.
Put to Rest
Ok… I’m getting the impression they stuck the stuff they weren’t so sure about at the beginning of the CD and started sticking the good stuff in the second half. This song really just has a brutal groove to it but it’s a good one. Classic death metal feel with the drums changing the feel back and forth between death and groove. Great solo type leads and those almost poppy backing guitars but it sounds great with his screams. Very slow ending, this is a little different from the rest of the album. Fade outro. Blah ending…
A Descent
Most creative intro (in comparison to the rest of the album), lead and rhythm on the entire album so far. Very epic. They touch base with their first album. GREAT scaling and breakdowns with an amazing almost nintendo effect from the excellent work on guitar that lasts maybe a second (it was awesome though). Sweet groove guitars with scaling. Awesome job. Very short but very good.
A Higher Place
Very strange leads and harmonies with those groove guitars again. I think I’ve said that about every song but that’s just the style they’ve got penetrating the entire album. A good portion of the album feels like an extension of the same song. 1:35 does some simple chord guitar work unlike the rest of the album. Actually, a lot of the epic parts remind me of some of the feel you’d get from old Soilwork. Good song. I can’t tell if I’m just getting sick of the same ‘ol kind of guitar licks that resonate throughout the entire album or if it’s just not that exciting.
An Ascent
Same type of intro as A Descent but with creepier sounding guitars that don’t give the same feel at all. A section has the most Nu-Metal feeling guitars on the album so far but is fortunately short lived. They finally change the keys to a piano sound but it only trickles in for a moment. Lots of good harmony work on the guitars. That Nu-Metal riff comes back and haunts me for a moment. After 2:00 comes some of the most sky reaching epic parts of the album (Don’t get me wrong, it could be more epic. I’m only talking relatively to the rest of the album.) The outro of this song is really just repeating the same guitar riff by itself over and over as it fades out but, honestly, it sounds great and is probably the best outro on the album so far.
Thrive
Cool breakdown patterns with eerie lead. About halfway the eerie lead comes back and is amazing over an almost Norma Jean style rhythm that hits on some harmonics here and there. More groove guitars, of course. I haven’t said much about his vocals so far. There really isn’t much range there. He’s got minimal range between his highs and lows. He’s really a good screamer overall and his lows are very brutal. Pretty raspy highs but not Euro raspy.
Face of Death
Breakdown rhythm with more eerie leads (which is really their typical style). Lots of scale work, in both the rhythm and lead. So far, not a very impressive ending to an album. Very short song… I think only one song was over 2:50…
Overall this album was decent. I’m not sure how often I would listen to it. It’s almost more of a really common background metal. It’s not nearly as intense as their last album; a lot of riding the epic (not real epic, though) choruses and grooving to their rhythms. The guitar work can get pretty close to that Nu-Metal style but a lot of metal is incorporating that; especially the kids over in the UK like Architects and Bring Me the Horizon. The album was just far too redundant to keep me interested the entire time. I almost wanted to stop listening to it, even though the album probably barely makes 30 minutes with 13 songs. If you pick it up, I hope you enjoy it more than I did!
), but at least I got to play the Minniapolis date on the Warped Tour. It was a lot of fun while it lasted. While I was busy writing songs I also wanted to be a programmer. I got my associates in Information Systems, learned some C++ and C# and made plans to go back to school for Computer Science while I worked full time as software support for CAT, through a company called ATS. That job was terrible (the people, however, were amazing) and I totally learned that I HATE DESK JOBS. Something else, much more significant, took place during that year off from school. I found my true calling; or rather, He found me.
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